This paper reviews a project within the multi-disciplinary Mistra Future Fashion research programme (2015-2019) which aims to provide guidelines for designers to better design circular fashion products for ‘appropriate speeds’. Researchers at UAL have been exploring the seemingly opposed approaches to fast and slow ‘fashion speeds’ through a literature and practice review, alongside workshops with industry and emerging designers to better understand the challenges for designers. In this paper the author reviews key insights from initial design workshops and proposes a framework ‘The Speedcycle’ as way to represent multiple rhythms and speeds within a product’s entire lifecycle – a graphic model that visually demonstrates that notions of ‘speed’ are relevant across all stages of the lifecycle. The intention is to develop the discourse from simply fast and slow, to a level where multiple and proportionate speeds can be understood and ultimately engineered, to improve the circular efficiency of a product.
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机译:本文回顾了跨学科的“ Mistra未来时尚”研究计划(2015-2019年)中的一个项目,该项目旨在为设计师提供指导,以便他们以“合适的速度”更好地设计圆形时尚产品。 UAL的研究人员一直在通过文献和实践评论以及与行业和新兴设计师的研讨会来探索看似相对的快速和慢速“时尚速度”方法,以更好地了解设计师面临的挑战。在本文中,作者回顾了来自初始设计研讨会的重要见解,并提出了一个框架“ The Speedcycle”,以表示产品整个生命周期中的多个节奏和速度–图形模型直观地表明了“速度”的概念在所有产品中都是相关的生命周期的各个阶段。目的是将讨论从简单的快慢发展到可以理解并最终设计多种比例速度的水平,以提高产品的循环效率。
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